facebook and flickr. I really couldn't be more pleased with them. So much so that I grabbed this pitcher and called it "mine," not for sale. I'm really happy with my application of this technique. I feel like it is reminiscent of Diana Fayt's, but it is more me than simply aping her style (which I love but couldn't even begin to aspire to). When I was getting ready for her workshop I found a photo that I altered and drew to become this bee on a blown-out pussywillow branch. A friend copied it for me and made reductions and enlargements to work from. As soon as I saw the copies I knew it had potential to use with an almost wallpaper-like repeat. Although I'm not a great fan of wallpaper per se, the repeated motif really appeals to me as a design element on pots.
So. After two or three seemingly disastrous firings, I think I've gotten the hang of how to do this. And I am so, so flipping happy about it. The workshop was a fabulous experience, but to have come away with a new way of working is even better than fabulous. I feel like I'm (almost) always pushing forward in my craft. Heretofore my work has been focused on the form, not the surface design. As many of you may know, I have HATED glazing for several years. I never thought surface design would capture my attention (outside of laying a fern into the wet clay to create a glaze-able impression or stamping a word into the body of the piece, both of which I still love).
I'll have a small selection of these pieces at the Etsy Memphis sale next Friday at the Jack Robinson Gallery. I'm excited about them. I hope you will be too!
Have a great week- I hope I'll be back in this space on Thursday to give you a preview of more work I'll be showing Friday night. Take care.